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    <loc>https://emmacopley.com/work</loc>
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    <lastmod>2026-03-29</lastmod>
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      <image:title>Work - Green</image:title>
      <image:caption>Sold Oil on wood panel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c6dc781e4afe96f386943d2/1555284289827-WK1BWC6SB3VYK6E1R23B/backs+boys.JPG</image:loc>
      <image:title>Work - Summer in Cromer</image:title>
      <image:caption>Charcoal on paper All charcoal drawings are 28 x 42 cms on white paper (although some appear cream coloured here, they are all white)</image:caption>
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      <image:title>Work</image:title>
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      <image:title>Work - Blossom</image:title>
      <image:caption>SOLD Oil on wood panel 2021 20x30 cms</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c6dc781e4afe96f386943d2/1635451509827-YDBYX0DJJSGD6ODOP0QY/IMG_0875.jpeg</image:loc>
      <image:title>Work - Wild swimming in yellow warmed pink</image:title>
      <image:caption>Selected for exhibition ‘A Generous Space’, Hasting Contemporary, 26 November 2021 - 17 April 2022 SOLD as part of the artist support pledge and available once exhibition complete gouache on fabriano paper 28 x 38 cms signed and dated on reverse Framed</image:caption>
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      <image:title>Work - Poolside</image:title>
      <image:caption>Oil on wood panel 40 x 30 x 2 cms Sold</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c6dc781e4afe96f386943d2/1555283991254-C67KUJDGX8A3FE7LI7P8/View-from-my-back-garden_SOLD.jpg</image:loc>
      <image:title>Work - Rooftops</image:title>
      <image:caption>Oil on wood panel Sold</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c6dc781e4afe96f386943d2/1684873638710-T52SL7YFGS2P4FIA08AH/image-asset.png</image:loc>
      <image:title>Work - Sanctuary</image:title>
      <image:caption>Join us for the inaugural exhibition of the new ArtCan East Anglia regional group of artists at the 900 year old Leper Chapel. 12 women artists. Over 90 artworks on display. Winners of the Holly Bush / Women in Art Prize Bursary 2023. Exhibiting Artists: Emma Copley, Deborah Pendell, Liliana Dobbs, Jane Hindmarch, Sarah Milne, Sarah Pooley, Amy Wormald, Wendy Brooke-Smith, Jill Desborough, Juli Fejer, Rebecca Guyver, Karen Turner Exhibition Dates: 25 - 28 May 2023 11am - 4pm Venue: The Leper Chapel, Newmarket Road, Cambridge CB5 8JJ Launch Event: 27 May, 5-8pm Join us for drinks to celebrate, with an introduction by ArtCan Founder @kateenters and a chance to meet the exhibiting artists! *Contact me via instagram DM for a price list &gt;&gt;Click&gt;&gt;Here</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c6dc781e4afe96f386943d2/1555282701385-PA7R9GXCJXBDA2DTZRF0/mae+in+sea+back+of+head.jpg</image:loc>
      <image:title>Work - Sea Water</image:title>
      <image:caption>Oil on wood panel 30 x 40 x 2 cms</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c6dc781e4afe96f386943d2/1557148960039-OHW9LE7Z0WPKSPYXYCPQ/small+NIAMH%2C+25.5X22CMS%2C+OIL+ON+WOOD+PANEL%2C+EMMA+COPLEY%2C+2016.jpg</image:loc>
      <image:title>Work - March</image:title>
      <image:caption>Oil on wood panel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c6dc781e4afe96f386943d2/1555309980272-CVZG94P46D0NOA0748OG/MA+Emma+Copley+-+Book+of+Love%2C+%28installation+with+person%29.jpg</image:loc>
      <image:title>Work</image:title>
      <image:caption>Book of Love, 2016-2017, 14 metre, gouache on paper, paintings and monoprints Pictures of you, 2017, oil paintings on wood panel, (x 5) Installation: Flare, MA Exhibition Ruskin Gallery, Cambridge School of Art, 2017 “This installation limited the physical distance between my painting ‘Window’ which was hung on the wall, and the viewer. The ‘Book of Love’ was installed on the floor directly below it, causing the viewer to have to look up and down, and side to side to view each piece. The effect being that the viewer could not look at just one image at a time. I have altered how I perceive my own work and found it useful to look at it in terms of everyday technological practices used to make and disseminate the work, interfaces, sources from which I gain the imagery and then make work from. I found making the ‘Book of Love’ to be pivotal in instigating format and installation changes, making me reconsider the way I want my paintings to be seen. Using the book as a container to house private and personal paintings and allowing them to be viewed through unfolding, forced me to expose the fragility of my personal work and to trust the viewer to care for the life, my life, that was depicted on its pages. This created a new relationship between the viewer and myself.” Emma Copley</image:caption>
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  <url>
    <loc>https://emmacopley.com/owen-sherwood</loc>
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    <lastmod>2024-04-13</lastmod>
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    <loc>https://emmacopley.com/contact</loc>
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    <priority>0.75</priority>
    <lastmod>2025-11-12</lastmod>
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      <image:title>Contact - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://emmacopley.com/press</loc>
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    <lastmod>2025-11-11</lastmod>
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  <url>
    <loc>https://emmacopley.com/new-page-2</loc>
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    <priority>0.75</priority>
    <lastmod>2026-03-24</lastmod>
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      <image:title>New Page</image:title>
      <image:caption>EMMA COPLEY (b.1979 Dublin) I was born in Ireland, grew up in the United States, and live and work in the UK. My paintings – on wood panels, perspex, and paper – explore personal experiences of isolation, love, and connection. The bodies that I paint and draw are caught in motion; they are making recognisable gestures, dancing, swimming, moving together. I take pictures of these moments and then fold the photographs. Using the manipulated photo as a starting point, I create the composition and eliminate areas from the image in order to intensify the emotion. Pale pink synchronized swimmers on top of long legs; two figures intimately connected over window fragments. I paint in layers with thick oils on wood and smooth, flat gouache on paper. When using oils, I paint quickly with brushes and a palette knife – spreading globs of paint on a smooth hard surface, wet into wet, carving out forms and building up texture. The recognisable parts of the image and the texture of the thick paint draws you in, while unfinished areas allow your eye to complete the image and the smell of oil holds your attention. My paintings begin with muted tones, mixing greys tinted with primary colour, ending with an infusion of bright colour that relates closely to these. I spend a lot of time looking at my palette and mixing groups of colour. Brushstrokes vary between smooth, slow, thoughtful marks and fast, thick layers of paint. I tear up paintings and rearrange them to create new compositions – this has become an important part of my process. My largest works are 14 metres long and the smallest are 15 x 22 centimetres. The accordion book format, heavy wood panel surface, and recurring window motifs are devices that reinforce personal histories and offer the freedom to explore my own experience as a gendered body in this world.  Emma Copley Portfolio Download Here</image:caption>
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      <image:title>New Page - Make it stand out</image:title>
      <image:caption>24 Portraits: Recovering and Reimagining Women’s Labour, University of Cambridge, permanent collection, 2020 All artwork and images are copyright © Emma Copley.</image:caption>
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  </url>
  <url>
    <loc>https://emmacopley.com/new-page-3</loc>
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    <lastmod>2026-03-17</lastmod>
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