March
       
     
Niamh detail March, oil on wood panel, Emma Copley, 2016.jpg
       
     
Kitchen Sink
       
     
Sugar Beets
       
     
Emerging
       
     
Emerging from the silence_detail.jpg
       
     
  https://women-at-pathology.shorthandstories.com/    Emma Copley has created a site-specific installation of painted portraits of women who currently work in all areas of the Department of Pathology at the University of Cambridge including laborator
       
     
01_Emma Copley 24 Portraits October 2019.JPG
       
     
09_Emma Copley 24 Portraits October 2019.JPG
       
     
Dancing at the Uffizi, © Emma Copley 2020.JPG
       
     
FULBOURN WINDMILL, 21X29CMS FRAMED, OIL ON WOOD PANEL, EMMA COPLEY, 2016.jpg
       
     
My little swimmer, EMMA COPLEY, 2016.jpg
       
     
       
     
small BATHER 1 SOLD, 23X15CMS, OIL ON WOOD PANEL, EMMA COPLEY, 2016.jpg
       
     
small Serpent sold.jpg
       
     
small Poolside sold.jpg
       
     
mae in sea back of head.jpg
       
     
March
       
     
March

Oil on wood panel

Niamh detail March, oil on wood panel, Emma Copley, 2016.jpg
       
     
Kitchen Sink
       
     
Kitchen Sink

Oil on wood panel

84 x 118 x 2 cms

Sugar Beets
       
     
Sugar Beets

Oil on wood panel

40 x 30 x 2 cms

Selected for Lynn Painters Stainers Exhibition Mall Galleries London

Emerging
       
     
Emerging

Oil on wood panel

46 x 30 x 2 cms

Sold

Emerging from the silence_detail.jpg
       
     
  https://women-at-pathology.shorthandstories.com/    Emma Copley has created a site-specific installation of painted portraits of women who currently work in all areas of the Department of Pathology at the University of Cambridge including laborator
       
     

https://women-at-pathology.shorthandstories.com/

Emma Copley has created a site-specific installation of painted portraits of women who currently work in all areas of the Department of Pathology at the University of Cambridge including laboratory managers, academics, cleaners, lecturers, administrators and technicians.

Her aim is to celebrate and address the representation of women working in all types of jobs in this department. After researching how many women work in the Department of Pathology, and what that work entails; she photographed a small selection of them and from these photographs created a series of 24 painted portraits. The portraits are painted in black paint on transparent Perspex and installed in a large window. The light coming in the window will allow the image to be seen, similar to images created in stained glass.

By creating these paintings that represent women carrying out all forms of labour in the department, she has intended to elevate these sometimes undervalued images of women and their job roles. By placing the portrait installation in between the existing memorial/commemorative bronze relief portraits of men, she wants to create visual connections between both sets of images, enabling the viewer to confront the visual representation of women in the department.

The title of this installation piece relates directly to Gerhard Richter’s 48 Portraits; a series of painted portraits of historic male figures made for the 1972 Venice Biennale. Richter was interested in the speechless language of pictures, where personalities become anonymous. This is something Emma is interested in also and wanted to make a point of with the title of this piece. By painting the portraits of these women in black and white and not including visual information that would point to their specific job role, she has given them this anonymity and the ability to be reimagined.

Emma Copley is an artist, art lecturer, and community producer for the art charity Axis Web. At the time this work was made, Emma was an administrator in the Department of Pathology at the University. Her practice focuses on everyday life. Please visit her website for a view of her practice and examples of her work; http://www.emmacopley.com/.

Free and open to all. Visitors must check in at the ground floor for a visitors pass and be escorted to view the art work. Large groups please call in advance. Contact details are available on the Department of Pathology website.

This event is part of The Rising Tide: Women at Cambridge programme hosted by Cambridge University Libraries, and generously supported by Cambridge Assessment, the Vice Chancellor of the University of Cambridge, the Howard and Abby Milstein Foundation, and the Friends of Cambridge University Library.

Access: This event has partial access.

Location:

Department of Pathology

01_Emma Copley 24 Portraits October 2019.JPG
       
     
09_Emma Copley 24 Portraits October 2019.JPG
       
     
Dancing at the Uffizi, © Emma Copley 2020.JPG
       
     
FULBOURN WINDMILL, 21X29CMS FRAMED, OIL ON WOOD PANEL, EMMA COPLEY, 2016.jpg
       
     
My little swimmer, EMMA COPLEY, 2016.jpg
       
     
       
     
small BATHER 1 SOLD, 23X15CMS, OIL ON WOOD PANEL, EMMA COPLEY, 2016.jpg
       
     
small Serpent sold.jpg
       
     
small Poolside sold.jpg
       
     
mae in sea back of head.jpg